Saturday, April 23, 2011

Color Theory








This is something that i've been curious about for a while now, and when we started learning about light in physics a few weeks ago I decided to experiment to learn more about how the computer manages color. I've always known that white light is made up of red, green, and blue light, and that the intermediates are cyan, magenta, and yellow. What is most important to notice is that there's no way to produce black using r,g,b, light. Black is the absence of r,g, and b, much like white is the absence of c,m, and y in CMYK mode. Something else important to know is that there's simply no way to produce some of the brightest values of r,g,and b, using CMYK inks. In theory you should be able to produce the entire spectrum of colors using C,M, andY, but in reality you need to add black for the darker colors. the following picture is a pretty common image used to describe the difference. it shoes the entire range of human color perception, and what can be reproduced using RGB and CMYK Colors.


So the moral of this story, as far as i've been able to figure out, is to reduce your screen brightness to about 70%, to have more realistic expectations of what you can get when you print something that you were designing in an RGB colorspace, Design in a CMYK colorspace if your destination is print, and pay attention when you pick a color and photoshop gives you that little exclamation point saying that the color you picked is "out of gamut."Because as you can see, more than half of the colors that we can see are not able to be reproduced by printing inks. Sorry for the rant, but writing this down really helped me learn what i'm talking about, and in the non academic world, this stuff is really important.


Thursday, April 7, 2011

Inspiration for my final

msced.mariusroosendaal.com/#1094092/2
Marius Roosendal, A design student from the Netherlands (VIA ISO50 Blog)




 


Mike Lemanski:
http://mikelemanski.co.uk/Index.htm




Albert Exgerian:
TV boiled down to it's simplest form
Vie the full collection at: http://print-process.com/Artist/Albert_Exergian





Mark Brooks
http://www.behance.net/mbrooksnyc



























And of course, More work from Scott Hansen and Studio ISO50


Monday, March 28, 2011

ISO 50-The fantastic work of Scott Hansen

Scott Hansen is an amazing graphic designer, who uses bold geometric lines, colorful antiqued brush strokes, and Bauhaus design antics to create artwork and posters for his band tycho, and all the bands on his small record label. He is a well known designer of the San Francisco area. My favorite poster of his is Svenska which uses perfect composition  and bold shapes, favoring simplicity over lots of reworking.





 For more of his work, visit http://www.iso50.com/iso50.html

Friday, February 18, 2011

1st Art Project--Paul Kennarly Homage




Those white lines in the negative space are more visible in vector format. Some weird things happened when I rasterized to form an internet compatible Jpeg.  

Sunday, February 13, 2011

Silk Screening

I've been really into printmaking lately, especially silk screen. A lot of silk screen artists play with very simple geometric forms and bold colors. I kinda want to build one but I don't have any time. Anyway, here are four cool silk screen artists:

Rudolf Boelee

My, that is a nice looking tea cup. 

Mirjam Dijkama


I've been study Bauhuas type design lately and this poster definitely plays around with type.

Alex Zanda


I tried something like this in printmaking and it didn't turn out anywhere near as well.

Mark Smith


These prints make me miss spending nights with my hands full of ink in the printmaking room...




Wednesday, February 9, 2011

Gimme Some Salt



Motoi Yamamoto is an artist that makes elaborate labyrinths on the ground using nothing but salt. He doesn't use any glue, and his installations aren't permanent. they're painstakingly crafted using nothing but a frosting bag to dispense the salt. His largest works have used an estimated 2,200 pounds of salt--which begs the question, why would anyone do this? Well, as it turns out, the salt labyrinths are a testament to his sister, who passed away from cancer. In Japan, salt is a symbol of purity and mourning, and his work is a way of glorifying her existence, and helping her to live on for eternity. when the installation is finished, all the salt gets dumped into ocean, along with the spirit of his sister.


http://www.topdesignmag.com/incredible-labyrinth-made-using-only-salt/


http://www.motoi.biz/english/e_top/e_top.html
   

Monday, January 31, 2011

That New Bar Code Thing


A piece by Javier Albar Mansoa abstracting from the use of the new Qr identity codes given to products